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David Cuthbert - Personal Statement

 

I was born in Norwich in 1951. I studied painting at the Central School of Art & Design where Adrian Berg taught me to think and Blair Hughes-Stanton taught me a respect for materials and craftsmanship.

I began to learn how to draw when I became a life painting tutor at the Workingman’s College in Camden and in 1976 my first one man exhibition at Parkway Focus in Camden Town was made up of figurative work. From 1974 to 1984 I taught at St Martin’s School of Art as an evening class tutor in painting and printmaking.

Anthem of the Sun 2007

 

Throughout this period I continued to draw from the human figure and also made a series of large paintings on the theme of the book as object, pictorial formality and totem. I showed these at Imperial College and Swiss Cottage Library in 1981.

 

The 80s was a strange decade for me. Some people made a lot of money but I was not one of them. As well as painting I worked as a furniture removal man, a schoolteacher and in 1985, a year after leaving my job at St Martin’s, Ros and I became directors of the Mendip Painting Centre.

The late 80s was my ‘Pot Period’, as it became known in the family; I produced a lot of coloured pencil drawings, watercolours and acrylics on the theme of vessels – teapots, cups, dishes etc., mostly from imagination and memory. I had some small success with these, selling several through the now defunct Camden Galleries in London’s Parkway. But by the early 90s I had become more concerned with observation and immediate response to things observed; colour and line had become the unifying agents in the struggles with changing light, mood and movement.

 

An expedition to Australia in 2000 marked a high point in my career as far as painting out in front of the motif was concerned, despite the problems of lugging large quantities of materials, A1 folder and easel by ’plane and Land Cruiser into the outback. The results sold well from shows in London, Bath and here in Winscombe

However, two trips to Brazil in 2004 produced a much more unexpected result with a return to working from memory and imagination. At the end of that year I began a particularly productive period making paintings on the theme of food, meals, eating and drinking, which gradually evolved in 2006 away from the restraint of the rectangle into a series of cutouts on the same theme. This too has shifted and my current work is much more ‘abstract’. If there are images in this work they arrive from the viewers’ imagination and associations. I’m trying to be simple. I’m making things to be looked at as they are, rather than try to make things that look like something else. 

David Cuthbert        March 2007